October Water Ceremony News

WATER CEREMONY

October 26, 2011 – 6 p.m.
Hospitality House, 705 B Street, Minong, WI
Sponsored by Sisterhood of the Planetary Water Rites

Storm looms in west as Minong is bathed in golden light

Storm looms in west as Minong is bathed in golden light

 Open to women who feel called to honor and respect water. Purpose: Support water issues that need our attention. To change negative impact on the world’s fresh drinking water supply for all living species all over the world. Turning our hearts and prayers toward positive energy and vibrations to heal water world wide.

Water Blessing Event
October 28 – 1 p.m. – 4 p.m.
Sponsored by the Sisterhood of the Planetary Water Rites
and Grandmother Tonya Whitedeer. May we all stand together with a single intention for water matter where we are on the Earth at this time.

Water Sister Worth Cooley-Prost sent the following Messsage:

Dear Ones!  At long last, the convergence of time, energy  and Heart allows for this long-overdue message.

[A new friend and I] talked about indigenous understandings of Now, and how I can’t imagine how I’d be able to look around in these times if I hadn’t heard Don Alejandro speak 11 years ago, how the Mayan calendar isn’t about the “end of the world,” rather about the accelerating unfolding of a whole new Time that’s very different from all that’s unraveling now. (I really like Tom Kenyon’s metaphor about 2012 or whenever — he says when his odometer turns over 100,000 miles, he doesn’t expect his car to disappear!) I think our unexpected hour together was a Gift to both of us, and recalled again the Hathors advice about the difficulties of chaotic nodes: “be curious and expect miracles.”

Turtle Women Rising 2011 was in Olympia WA this year, from sunrise on October 7 through the afternoon of October 10. I have the bowl that held the Water on the altar at TWR 2008 and 2010, both here in DC. It’s lovely bowl, about 16″
across and a graceful low, open shape in that hint-of-palest-green often seen in thick handmade glass, with a swirl of slightly darker pale green. It was in one of Coldwater Creek’s crazy online sales about 2002, marked down from probably $125 (never could’ve afforded that) to about $35. I loved it (and had a lot more money back then!), and ordered it thinking it would be beautiful on our diningroom table with fruit or flowers or just air. When it came, I realized that our diningroom table was
neither big enough nor clear enough for the bowl, so for about 6 years it sat up on top of a bookshelf in the diningroom. Then in one of the final planning conference calls for the first TWR, Eli said they needed a bowl to hold the Water in the
altar tipi, and I said, “Eli, I have the bowl.” Near the end of the final day of TWR that year, I’d left the circle to smoke a cigarette and just put my chair at the edge of things when I came back in. I remember sitting there watching
everybody singing and dancing, and thinking, “I can’t sing and I can’t dance, but I can bring the bowl that holds the Water.” We used it again in 2010.

So last Friday, Willy put two chairs and a little round table that came from the side of the road several years ago in a special, leafy grove part of the yard before he went to work, and later my friend Margaret came over with her drum. The several pieces of cloth covering the table were made by Mayan hands, African hands, and Indonesian hands, and though I’m sure the the bright red fleece with Native American designs was made in China, it came to me from Council on Indian Nations a couple of years ago. The bowl took up most of the table. The things around it included several stones, a tiny bottle of rose
quartz chips, a little basket with Haiti beads, some lavender, a Fourth Wise Man figure, and seems like a couple of other things I can’t remember at the moment. (I’d meant to take a picture but forgot; it must not have wanted me
to.) After smudging us and everything else, we filled the bowl with Water from the house and opened the space with prayers to connect with TWR and with all healing Waters around the world. I asked especially that the spirits of all the men, women,
children and horses of the civil war be honored for their courage and sacrifice, calling them back from their journeys and the traumas endured, so they can heal and return Home… and that Mother Earth be healed in all the places that have
held their pain and fear and anger for all these 150 years, and that all the Waters that touch that land — rivers, rain, dew, fog, snow, tears past and future — carry that great healing also.

Margaret brought a really beautiful drum, and I used my Ocean drum for the first time. I’ve always wanted to be where drumming is — Native American, Haitian, African, and those astonishing sideways Japanese drums — but somehow never really felt called to drum myself. Then last summer I ordered myself an Ocean drum for my birthday — synthetic covering on one side, clear mylar on the other, and filled with steel shot. I’d experimented with it a little a couple of times since… tilting it from side to side makes sounds of waves and surf… but this was the first time I really used it. Amazing! Each of the
times between opening the space Friday and closing it Monday afternoon — and the next night when Moon was full somewhere behind thick clouds — it’s given me something new. The first day, when I opened my eyes after a few minutes, the
sky and trees were in my lap! (The clear mylar side is like a mirror.) Also, the steel beads often make a yin-yang pattern. The next day I also used the beater that came with it, and after a little while realized there were subtle musical tones at the edges; they’ve been clearer each time. Another time when I looked down, I saw the ripple patterns around my thumbs holding the
edges. Looks like I have my drum — who knew?!!

When we came back to the house on Friday, the mail had come, bringing the sage you sent, Mary Ellen… so that’s been part of each visit since. When I went back to the space the second day, there was a line of sand or fine dirt around the whole front edge of the table. (Another time I’ll tell you the story of the six deer who came in January after I’d asked my grandmothers for guidance and protection and that I be able to see them and hear them clearly.) We took everything back in but the cloth and bowl when we closed the space on Monday. I’ve left the bowl there for the three days of rain we’ve had, and tomorrow will give the Water to the Earth there and it will go back on the high shelf until whenever its next time is.

Margaret is coming again for Water Prayers at 1:00 on October 28, so we will be among you all around the world. These are some fancy, fancy times, aren’t they? I’m so grateful to be here, so grateful to both of you that you’re in my life and in my heart. I do want to be a Water Sister, please!

Abundant love and blessings,
Worth

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Words from an artist Worth Cooley-Prost

Worth wrote:

lizards copyright Worth Cooley-Prost

lizards copyright Worth Cooley-Prost

  ” The glass is changing now, too; like the lizards, the glass has told me that to do rather than vice versa. When I teach glass occasionally, the first Understanding is that you come to the glass with Respect, and you listen and/or feel what it holds, then you work. I think most glass classes teach about what to do to glass, how to make it into something you’ve decided to make.

 To me, that’s backwards. Each piece of glass is absolutely different from every other, and if you’re in relationship with it, it Becomes. I open with sage and wear a yoke (I didn’t know that’s what it was when a friend gave it to me about 10 years ago, saying she didn’t know why she’d brought it to me; I took it to the studio with me a couple of days later, put it around my neck without thinking, and then knew I was to wear it when I cut and fire the glass.) The Prayer to the 7 Directions and my Ancestors is that what is True, Beautiful, and Good for the People come from those places through me and into the glass, and that each piece hold those things, and that its person find it. I ask the same of the glass while it’s firing, thank it when it’s through, and ask before any show that people come find their particular glass. There’s been some amazing specificity at times.

For several years, Soul of Blue and Flame pieces get cut in full sunlight and Ocean gets cut at dawn or as the moon comes up. Since last year, I’ve been taking glass out to the moon (or sun, depending on the glass and the energy) at partiuclar times — Mayan Day Out of Time last July, some major eclipses, etc. — and it stays until sunrise so it carries whatever it and Moon do together.  It’s changing again the last couple of months, not clear yet where it’s going but do know that I’m doing very few shows this year. I know more Ice Ancestors (glass on clear selenite slabs) are coming, since seeing a photo of what my daughter did with the one I gave her after the exhibit that honored Uncle: it’s on a windowsill where first sun comes through it. As soon as I saw the photo, I thought, “Of *course* and won’t puzzle about how people can use or display them. That’s between the glass and the people, I’m just the pizza man.”

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